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Table of Contents:
City-Lights "Liberalitas Bavariae" in =?ISO-8859-1?Q?M=FCnchen=2FMun?= ich
Oliver Ressler <oliver.ressler@chello.at>
Short Film Festival g-niale - call for entries
garage <info@garage-g.de>
fabian hofman en centro multimedia.
fran ilich <ilich@de-lete.tv>
Sensing and Input for Media-centric Systems (SIMS 02): AWorkshop/Symposium
"geert lovink" <geert@xs4all.nl>
announcer: 'Silence 2002', contemporary music festival
Alessandro Ludovico <a.ludovico@neural.it>
[cybersalon] CYBERSONICA - digital music festival 5 - 7 june
richard barbrook <richard@hrc.wmin.ac.uk>
'open_digi' season > DOG STAR, London > starts May 22nd
atty <atty@no-such.com>
THIS TIME FOR REAL: ./LOGICALAND
Reinhard Braun <braun@mur.at>
ST:ART Collision | Politics And Art Forum
n ik <fragments@va.com.au>
------------------------------
Date: Mon, 13 May 2002 23:04:11 +0200
From: Oliver Ressler <oliver.ressler@chello.at>
Subject: City-Lights "Liberalitas Bavariae" in =?ISO-8859-1?Q?M=FCnchen=2FMun?= ich
(for English please scroll down)
THIS IS WHAT DEMOCRACY LOOKS LIKE (LIBERALITAS BAVARIAE)
eine City-Light-Serie von Oliver Ressler im Stadtraum München
im Rahmen der Ausstellung "Exchange & Transform" des Kunstverein München
Von 14.5 bis 10.6.2002 werden in der Innenstadt Münchens an stark
frequentierten Plätzen Plakate der Größe 175 x 119 cm als City-Lights
präsentiert. Ausgangspunkt der Plakatserie ist das repressive Vorgehen
von Politik und Polizei gegen die Demonstrationen anlässlich der 38.
NATO-Sicherheitskonferenz, die vom 1.2 bis 3.2.2002 in München stattfand.
Münchens Oberbürgermeister Christian Ude (SPD) nahm eine unbelegte
Behauptung des deutschen Verfassungsschutzes, dass 3000 "gewaltbereite
Demonstranten" schwere Ausschreitungen und eine "Entglasung" der
Innenstadt Münchens planen würden, zum Anlass, für ganz München ein
dreitägiges Demonstrationsverbot zu verhängen. Diese Maßnahme wurde von
der Aufhebung des Schengener Abkommens und einem Einreiseverbot für
DemoteilnehmerInnen aus den Nachbarländern begleitet, um einen laut
Bayerns Innenminister Günther Beckstein (CSU) "linksextremistischen
grenzüberschreitenden Gewalttourismus" zu verhindern.
Über 3500 Polizeibeamte, Spezialfahrzeuge und Barrikaden wurden
aufgeboten, um die behördlich verordnete Verletzung des Grundrechts auf
Demonstrationsfreiheit während der NATO-Sicherheitskonferenz zu
exekutieren.
7000 KriegsgegnerInnen und KritikerInnen der ökonomischen Globalisierung
versuchten, trotz Platzverboten, Absperrungen und Polizeikessel in der
Münchner Innenstadt ihr Demonstrationsrecht durchzusetzen. 792 Personen
wurden festgenommen, obwohl die Teilnahme an einer verbotenen
Demonstration eigentlich nur eine (etwa mit einem Verstoß gegen die
Straßenverkehrsordnung vergleichbare) Ordnungswidrigkeit darstellt.
Durch die Konstruktion fiktiver Bedrohungsszenarien wurden Menschen an
der Ausübung ihrer demokratischen Rechte gehindert und die gerne
behauptete "Liberalitas Bavariae" (die bayrische Liberalität) von
Politik, Polizei, Verfassungsschutz und Medien mit den Füßen getreten.
Die drei Plakatsujets der City-Light-Serie verbinden das vor Ort
vorhandene Wissen um die Geschehnisse rund um die NATO-Sicherheitstagung
mit der Tatsache, dass ein Monat nach dem vom SPD-Oberbürgermeister
verhängten totalen Demonstrationsverbot dessen Politik - und damit auch
die Einschränkung demokratischer Rechte - bei den Stadtratswahlen durch
einen fulminanten Wahlsieg bestätigt wurde. In der Arbeit "This is what
democracy looks like (Liberalitas Bavariae)" werden daher in den
City-Light-Plakaten die SPD-Wahlkampfslogans "München braucht mehr Rot!"
und "Es geht um München." mit den Ereignissen rund um die
Demonstrationsverbote kombiniert.
Die an unterschiedlichen Orten in der Innenstadt präsentierten
Plakatsujets bilden eine offene Struktur und erlauben keine eindeutige
Zuordnung, wer hinter den Plakaten steht. Bei zwei der Plakate wäre es
sogar möglich, dass PassantInnen eine auf die Außerkraftsetzung der
Grundrechte stolze Münchner SPD für die Urheber hielten. In diesen Fall
würde dieser Eingriff in die "Ordnung des Diskurses", wie Foucault jenes
wesentliche Element der Machtausübung bezeichnet, die Schwächung der
Position des vermeintlichen Autors SPD auf der symbol-politischen Ebene
bedeuten. Das dritte Plakat ist in seiner Aussage eindeutig: "Die
Einschränkung demokratischer Rechte hat viele Abkürzungen" ist neben den
Kürzeln CSU, SPD, KVR, VGH und UDE zu lesen.
Diese Intervention im Stadtraum steht in einer inhaltlichen Verbindung
zum Video "This is what democracy looks like!" (38 min., 2002) über
einen Polizeikessel anlässlich der ersten so genannten
Anti-Globalisierungsdemonstration in Österreich (siehe
http://www.t0.or.at/democracy). Das Video wird ebenfalls im Rahmen des
Ausstellungsprojekts "Exchange & Transform" im Kunstverein München von
26.04. bis 01.09.02 zu sehen sein.
Informationen zur Ausstellung: http://www.kunstverein-muenchen.de
E n g l i s h:
THIS IS WHAT DEMOCRACY LOOKS LIKE (LIBERALITAS BAVARIAE)
A City-Light series by Oliver Ressler in the urban space of Munich
within the framework of the Kunstverein München's exhibition "Exchange &
Transform."
At busy sites in Munich's inner city, 175 x 119 cm posters will be
presented as City Lights from 14 May to 10 June 2002. The repressive
actions of both politics and police against the demonstration on the
occasion of the 38th NATO security conference which took place from 1 -
3 February 2002 in Munich provides a starting point for the poster
series. Munich's chief mayor, Christian Ude (SPD), took an unverified
claim from the German constitutional protection agency, that 3,000
"violence-prone demonstrators" were planning excessive acts of violence
and a "de-glassing" of Munich's inner city as cause to impose a
three-day demonstration ban. The lifting of the Schengen agreement and
the prohibition for demonstration participants to cross the border from
neighboring countries accompanied this measure in order to avoid,
according to Bavaria's Minister of the Interior Günther Beckstein (CSU),
"leftist, cross-border violence tourism."
More than 3,500 police officers, special vehicles, and barricades were
called in to execute the officially prescribed infringement of the
constitutional right to free demonstration during the NATO security
conference.
7,000 anti-war activists and opponents of economic globalization
attempted - despite prohibitions, barriers, and police encirclements -
to practice their right to demonstrate in Munich's inner city. Of these,
792 were arrested although participation in a prohibited demonstration
is actually tantamount to a disruption of public order (comparable to a
traffic violation).
Through the construction of fictive threatening scenarios, people were
hindered from practicing their democratic rights and the proudly claimed
"Liberalitas Bavariae" (the Bavarian liberalness) of politics, police,
secret service and media were trampled on.
The three poster subjects of the City-Light series bring together the
available knowledge on location at the events around the NATO security
conference with the fact that a month after the total demonstration ban
by the SPD head mayor, his politics - and thereby also the restriction
of democratic rights - was confirmed by a brilliant election victory.
Therefore, in the work "This is what democracy looks like (Liberalitas
Bavariae)" in the City-Light posters, the Social Democratic Party's
(SPD's) election slogans, "Munich needs more red!" and "It is about
Munich" are combined with events surrounding the demonstration ban. The
poster subjects, presented at various sites throughout the inner city,
create an open structure and do not allow for a clear designation of who
is behind the posters. With two of the posters it is even possible that
passers-by could believe Munich's SPD to be the initiator, proud of
suspending democratic rights. In this case this intervention into the
"order of discourse," as Foucault described that essential element of
the exercise of power, would amount to a weakening of the position of
the supposed authors, the SPD, at the level of symbol-politics. The
third poster makes a clear statement: "The restriction of democratic
rights has many abbreviations" is written next to the abbreviations:
CSU, SPD, KVR, VGH and UDE.
This intervention to the urban space is connected in terms of content
with the video "This is what democracy looks like!" (38 min, 2002) about
a police encirclement on the occasion of the first anti-globalization
demonstration in Austria (see http://www.t0.or.at/democracy). The video
can likewise be seen in the framework of the exhibition project
"Exchange & Transform" in the Kunstverein München from 26 April to 1
September 2002.
Information on the exhibition: http://www.kunstverein-muenchen.de
------------------------------
Date: Tue, 14 May 2002 12:55:27 +0200
From: garage <info@garage-g.de>
Subject: Short Film Festival g-niale - call for entries
german version below. sorry for any cross-postings.
please feel free to forward.
Call for Entries -----------------------------------------------------
- ------------------------ 4th International Short Film Festival g-niale
- --------------------------- 15. - 18. August 2002 in Stralsund/Germany
- ----------------------------------------------------------------------
- ----------------------------------------------------------- playground
>>>>>>>>>>>>>>>>>>>>>Deadline will be June 3rd, 2002>>>>>>>>>>>>>>>>>>
The 4th international short film festival g-niale will run in August
2002 and is part of the garage festival in Stralsund. Organizers of
the g-niale are garage and Filmclub Blendwerk e.V.
play and earnest, rules and spoilsport, power play and play instinct,
play within play, play with fire, role-playing and play on words.
Wanted are films which examine the principles of play on a
substantial or formal basis, films which are influenced by games or
tell about playing.
Students of film and art schools and professional filmmakers of all
genres are invited to send their newly produced short films (max. 20
minutes) to the festival. No restrictions apply to the genre of
submitted works. The preselected films will be presented to an
audience which, at the end of the festival, will choose the audience
prize worth 250 EUR. Additionally, the three prizes of the jury worth
1.000 EUR in total will be awarded. Deadline will be June 3rd, 2002.
entry form:
http://www.garage-g.de/call/g-niale-02.pdf
and details available under:
http://www.garage-g.de
email: g-niale@garage-g.de
tel: +49 (0)30 4412015
Ausschreibung --------------------------------------------------------
- -------------------------- 4. internationales Kurzfilmfestival g-niale
- ----------------------------------- 15. - 18. August 2002 in Stralsund
- ----------------------------------------------------------------------
- ----------------------------------------------------------- playground
>>>>>>>>>>>>Einsendeschluss ist der 3.Juni 2002>>>>>>>>>>>>>>>>>>>>>>>
Das 4. internationale Kurzfilmfestival g-niale findet im August 2002
im Rahmen des Festivals garage in Stralsund statt. Veranstalter der
g-niale sind garage und Filmclub Blendwerk e.V.
Spiel und Ernst, Spielregeln und Spielverderber, Machtspiel und
Spieltrieb, Spiel im Spiel, Spiel mit dem Feuer, Rollenspiel und
Wortspiel. Gesucht sind Filme, die sich inhaltlich oder formal mit
dem Prinzip des Spielens auseinandersetzen, Filme, die von Spielen
beeinflusst sind oder über das Spielen erzählen.
Studenten von Film- und Kunsthochschulen sowie Filmschaffende aller
Sparten sind eingeladen, Kurzfilme neuerer Produktion bis max. 20 min
Länge einzureichen. Beschränkungen hinsichtlich des Genres gibt es
nicht. Die vorjurierten Arbeiten werden dem Publikum präsentiert,
welches am Ende des Festivals über den mit 250 EUR dotierten
Publikumspreis abstimmen wird. Die Jury vergibt drei Preise in Höhe
von insgesamt 1000 EUR. Einsendeschluss ist der 3.Juni 2002.
Anmeldeformular:
http://www.garage-g.de/call/g-niale-02.pdf
und Details unter:
http://www.garage-g.de
email: g-niale@garage-g.de
tel: +49 (0)30 4412015
------------------------------
Date: Wed, 15 May 2002 01:04:28 -0500
From: fran ilich <ilich@de-lete.tv>
Subject: fabian hofman en centro multimedia.
El Centro Multimedia del Centro Nacional de las Artes presenta una
plática con Fabián Hofman
"Pachito Rex"
Centro Nacional de las Artes
Rio Churubusco y Calzada de Tlalpan
Galería AB del Centro Multimedia
Miércoles 15 de mayo a las 18:00 horas
La proyección de 'Pachito Rex', y al terminar una conversación con su
realizador, sobre los procesos digitales en el cine tanto en el modelado de
escenarios como el sonido y la producción, las posibilidades del cine
interactivo y los dvd's.
- ----
Fabian Hofman es el director de Pachito Rex, ha participado como Jurado y
Curador de varios Festivales Nacionales e Internacionales de Cine y Video.
Desde 1983 hasta el presente ha producido y dirigido programas
periodísticos, publicidad, videos musicales, educativos y documentales.
Ha tenido becas de la Rockefeller Foundation, MacArthur Foundation y
Fundación Antorchas, y es Subdirector Académico del Centro de Capacitación
Cinematográfica e investigador responsable en nuevas tecnologías dramáticas.
------------------------------
Date: Mon, 13 May 2002 18:12:30 +1000
From: "geert lovink" <geert@xs4all.nl>
Subject: Sensing and Input for Media-centric Systems (SIMS 02): AWorkshop/Symposium
From: "george legrady" <glegrady@cox.net>
Dear Colleagues,
I look forwards to your contribution and participation to this conference on
computer sensing, input mapping, and control distribution. Please note the
upcoming deadline and apologies for those who are receiving this the first
time.
Call for Papers, Tutorials, and Demonstrations
Sensing and Input for Media-centric Systems (SIMS 02): A Workshop/Symposium
Organized by the University of California Santa Barbara (UCSB) Center for
Research in Electronic Art Technology (CREATE) and Graduate Program in Media
Arts and Technology (MAT), co-sponsored by the UC Digital Media Innovation
(DiMI) Program
To be held at UCSB, Santa Barbara, California, USA, June 20/21, 2002
Event Web Site: http://www.create.ucsb.edu/sims
Abstract
The technology of user input to computers, and of computer tracking of one
or more users, is central to an increasing range of application domains. As
illustrated by several recent technical/artistic conferences (e.g., the DiMI
Digivations event, the IEEE Multimedia Technology and Applications
Conference, and the UC-Digital Arts Research Network "N2N" gatherings),
UC-based researchers at several campuses, and California-based industrial
concerns, are among the most active and innovative contributors to the
fields of sensing, tracking, and control in distributed interactive systems.
Nevertheless, both the communication of R&D results from the universities,
and the coordination of product development with advanced user needs, need
to be improved.
We are organizing a two-day symposium/workshop (SIMS 02) to take place June
20-21, 2002 to advance the field of computer sensing, input mapping, and
control distribution. The participants will share results from R&D teams in
industry and academia, and work together on some of the major issues we
face. The event will include (1) an educational component (open to both
students and event participants), (2) technology transfer in the form of
presentations and posters, and (3) assessment and planning in the form of
"birds-of-a-feather" sessions.
Introduction
The trend for all classes of computer software to incorporate ever richer
media, and to use ever higher-level input/output devices, means that system
developers must integrate applications with user interfaces that provide
multi-modal interaction. The next generation of software will incorporate
computer tracking and gesture sensing of multiple users, wide-area
distribution of both sensing/control information and streaming media
content, integration with large-scale scientific, simulation, and media
analysis/synthesis tools, and immersive-I/O multimedia user interfaces.
The technology involved in human-computer interfaces has undergone a radical
transformation since the 1980s; systems today may support any of several
modes of input, including gestural input, camera-tracking of users, or voice
input. Although the most common output medium is still mono-optic graphical
display, several cost-effective techniques exist for immersive 3-dimensional
visual rendering, spatialized multi-channel sound playback, and even haptic
feedback. Hardware/software infrastructures that enable flexible control of
large networked applications will find users from science/engineering,
education, and the arts.
Sensing, tracking, and control is a field of R&D where basic research
questions can still be found (e.g., in computer vision, controller
ergonomics, control protocols, event distribution models, and multi-user
tracking), while at the same time many useful systems have been implemented
and even made it to the commercial marketplace. California-based
universities and companies are among the leaders both the research and the
product development aspects of this field
The Event
The SIMS 02 symposium/workshop will be a two-day event, starting with a
series of six 90-minute tutorials Thursday morning, followed by a group
luncheon. Thursday afternoon and Friday consist of a mix of invited talks
and poster/demo sessions where all participants are invited to present or
demonstrate some component of their work.
The invited papers will focus on (1) surveys of technologies and
applications, and (2) "position papers" about the challenges for future
development.
In the poster/demo sessions, participants to present R&D and application
results in a variety of formats in the MAT, CREATE, and eStudio facilities.
We will emphasize that the presentations should address both the content of
the work and its context and wider relevance.
Friday afternoon is devoted to "birds-of-a-feather" sessions on a number of
topics to be chosen by the participants on-site; potential topics include
vision-based interfaces, control distribution protocols, gesture mapping,
high-level control APIs, and multi-user systems.
SIMS 02 will be held in the facilities of the UCSB CREATE Center, the MAT
Graduate Program, the eStudio, and the UCSB Departments of Music and Art
Studio. The plenary sessions will be held in the Music 1145 lecture hall;
the tutorials in the CREATE, eStudio, and MAT teaching spaces, and the
demo/poster sessions in the CREATE studios, the RIDL R&D lab., and the MAT
center.
There will be a $100 registration fee for SIMS 02.
The Document
One of the contributions of SIMS 02 will be the preparation of a Proceedings
volume; it will consist of the invited survey/position papers and two-page
project/product overviews from all participants. It will be produced to be
available at the time of the event, and will provide background data and
links for on-going reference.
- ----
Schedule
Thursday 6/20/02
9:00 - 10:30 AM Tutorials 1/2
10:30 AM - 12:00 PM Tutorials 3/4
12:00 - 1:30 PM Tutorials 5/6
1:30 PM Luncheon (on campus)
2:30 - 4:00 PM Invited Talks 1/2
4:00 - 6:30 PM Short presentations, Poster/Demo sessions
7:30 PM Dinner (off campus)
Friday 6/21/02
9:00 - 10:30 AM Invited Talks 3/4
10:30 AM - 1:30 PM Short presentations, Poster/Demo sessions
1:30 PM Luncheon
3:00 - 4:00 PM Topical BOF 1/2
4:00 - 5:00 PM Topical BOF 3/4
5:00 - 6:30 PM Wrap-up Panel
7:30 PM Dinner (off campus)
- ----
Call for Proposals
Papers or demonstration proposals may be submitted in the following areas:
- Gestural input and motion capture devices
- Feature extraction algorithms for gesture input
- Gestural input mapping strategies
- Immersive user interfaces and virtual environments as applications
- Software interfaces and libraries for SIMS
- Interaction with real-time sound and animation systems
- Distributed architectures for SIMS
- Innovative applications of sensing and input technologies
Formats:
Short papers: 15 minutes presentation, 5 minutes questions, 4 pages.
Long papers: 25 minutes presentation, 5 minutes questions, 8 pages.
Demonstrations: 30 minutes presentation, 4 pages
Posters: 4 pages
What to submit: 1-page abstracts or full papers are acceptable. We will be
using the format prescribed by the Association for Computing Machinery
(ACM); there are templates for MS-Word, WordPerfect, and LaTex available
from their Web site at http://www.acm.org/sigs/pubs/proceed/template.html.
(Authors may drop the sections on "Categories and Subject Descriptors" and
"General Terms," but should otherwise adhere to the ACM format.)
Deadline for submissions: May 20,2002
Notification of acceptance: June 3, 2002
Event: June 20/21, 2002
Please submit all materials electronically to
sims-submissions@create.ucsb.edu
Contact: Stephen Travis Pope, Andreas Engberg
sims-questions@create.ucsb.edu
- ----
Program Committee
Kevin Almeroth, UCSB Dept of CS and MAT Program
Andrew Beall, UCSB Dept. of Psychology
Steve Berman, UCSB Digital Media Innovation Program
Andreas Engberg, UCSB CREATE
Alex Kouznetsov, UCSB CREATE and Dept. of Dance
JoAnn Kuchera-Morin, UCSB Dept of Music and MAT Program
George Legrady, UCSB Dept. of Art Studio and MAT Program
Stephen Travis Pope, UCSB CREATE and MAT Program
Curtis Roads, UCSB MAT Program
Matthew Turk, UCSB Dept of CS and MAT Program
Ioannis Zannos, UCSB CREATE
------------------------------
Date: Wed, 15 May 2002 19:29:04 +0200
From: Alessandro Ludovico <a.ludovico@neural.it>
Subject: announcer: 'Silence 2002', contemporary music festival
'Silence 2002', contemporary music festival
Silence 2002 is a non profit festival dedicated to contemporary
experimental and electronic music, that enhance the cooperation
between musicians, curated by Franco Degrassi.
Bari (Italy) 29 April-23 may
SILENCE 2002
1) JOHN CAGE tribute (1992 2002)
29 April - Anarres - h. 20:30
Michele Lomuto trombone
Fiorella Sassanelli piano
music by Bussotti, Cage, Kagel, Krenek, Lomuto
4 May - Anarres - h. 20.30
Caso Laboratory VS improvisation
Conservatorio Musicale di Monopoli
music by John Cage
6 May - Facoltà di Lingue - h. 15.30
'Technology of data processing and musical experience'
lecture by Agostino Di Scipio
6 May - Anarres - h. 20.30
John Cage: Imaginary Landscape n.5
digital support versions
'John Cage interview, Variation V, Cage Cunningham"
video projections
9 May - Anarres - h. 20.30
Gianni Lenoci piano
music by Cage
13 May - Anarres - h. 8/24
Satie laboratory- Cage
Erik Satie Vexations: 16 hours of audio-video marathon, performed by
the alumni of the Angela Montemurro Lentini piano class
(Conservatorio musicale 'N.Piccinni'),
and Art Academy students coordinated by Antonella Marino and the
elementary school 'De Amicis'
15 May - Anarres - h. 20.30
Maurizio Grandinetti guitar
Music by Cage, Oehring, Berio
2) L'ASCOLTO SOVRANO: PERCORSI ACUSMATICI
15/16 May - Dipartimento di Fisica - h. 16
"Signal processing's acustic and musical applications'
lecture by Raffaele De Tintis
17 May - Anarres - h. 20.30
Franco Degrassi: 3112, opera acusmatica
synthetic sounds and performers
19 May - Anarres- h. 20.30
Angelo Petronella: Per connessioni, interactive sound installation,
author's performance
21/22 May - Anarres - h. 20.30
"Electric History, the (im)possible paths of the electronic music."
Lecture by Francesco Scagliola
23 May - Anarres - ore 20.30
Concerto Acusmatico
Music by Tarantino, Rizzo, Liturri, Putignano, Degrassi, Monopoli, De
Angelis, Scagliola, Di Scipio
directed and curated by Francesco Scagliola
- ----------
info: http:/www.neural.it/projects/silence2002
Thanks to: Centro d'Eccellenza T.I.R.E.S. (Tecnologie Innovative per
la Rivelazione e l'Elaborazione del Segnale); Fac. di Lingue, Dip. di
Italianistica, Storia della musica mod. e contemporanea (Università
di Bari)
- --
Alessandro Ludovico
Neural Online - http://www.neural.it/ daily updated news + reviews
Suoni Futuri Digitali - http://www.apogeonline.com/catalogo/614.html
ISBN 88-7303-614-7
------------------------------
Date: Wed, 15 May 2002 20:56:22 +0100
From: richard barbrook <richard@hrc.wmin.ac.uk>
Subject: [cybersalon] CYBERSONICA - digital music festival 5 - 7 june
If you do one festival this summer....
<<pls forward>>>
<<<<<<<CYBERSONICA>>>>>>>>>>
INTERNATIONAL FESTIVAL OF DIGITAL MUSIC AND SOUND
Sonic Arts: Performance / Exhibition / Installation / Symposium
Wednesday 5TH- Friday 7TH June 2002
@ ICA (INSTITUTE OF CONTEMPORARY ARTS)
The Mall
London SW1Y 5AH
<http://www.cybersonica.org>
Cybersonica is a three-day international festival of music and sound,
dedicated to defining the frontiers of electronic sound culture. A
snapshot of the current significant work in sonic art, Cybersonica
captures the essence of this emerging, evolving medium. There are
five elements to the festival: Symposium, Installation, Performance,
Film and Exhibition.
'Symposium' is a gathering of some of the leading artists and
innovators working within sound from around the world.
Keynote presentation is from MICHEL WAISVISZ, head of the STEIM
sound research foundation in Amsterdam. He has, since the late 60's,
experimented with ways to achieve a physical touch with electronic
musical instruments. TOM BETTS, who presents
the animation inspired 'Pixelmap', has recently become the first
generative composer to get a major record deal, and is new media
consultant at Tate Modern. CHARLES KRIEL is resident VJ for BBC
Radio 1 dance events, and delivers a joint talk with
'Big Brother' originator GARY CARTER.
'Installation', at the Global gallery on Golden Square, represents
new methods of interacting with sound that move beyond the screen,
pushing the limits of electronic sound art. ROBIN McGINLEY's 'Earth's
4.5 Billion Year Old Composition' utilises valve
based short wave radio equipment and the latest computer technology,
allowing us to hear the earth's own natural electro-acoustic
composition. ALEX DAVIES 'Filter Feeder' is a multi-channel sound
installation in which textures, dynamics
and motion of sound are controlled by a fish. JONAH BRUCKER-COHEN's
work 'Musical/Devices' allows people to collaborate in a musical
composition with others using their mobile telephones.
'Performance' features leading digital music makers: the abstract
textures of POLE (5th June), idiosyncratic electronica
from DJ SPOOKY (THAT SUBLIMINAL KID) (7th June), and BOMB 20's
digital noise and cut-up (6th June). Experimental DJ sets from
Zan Lyons, XFM's Nick Luscombe and Tokyo's Play label can be heard in
the ICA bar at the Cybersonica 'club nights'.
'Exhibition' highlights new audio visual experiences: computer
generated art , games, music, and interactive environments.
'Film' is programmed by pioneering VJ and TV producers ADDICTIVE TV,
with anglo-french filmophiles CINEFEEL screening an eclectic mix of
off-beat electronic music shorts.
TICKETS on sale NOW - contact the ICA ticket office on: 0207 930 3647
or tickets@ica.org.uk. See <http://www.cybersonica.org> for prices.
Cybersonica will be streamed by GROOVYGECKO at the festival website
throughout the event.
The festival is organised by Cybersalon, promoters of sell-out new
media and digital culture events at ICA since 1999.
PRESS:
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------------------------------
Date: Thu, 16 May 2002 11:33:03 +0100
From: atty <atty@no-such.com>
Subject: 'open_digi' season > DOG STAR, London > starts May 22nd
a new monthly digital night out kicks off at the Dog Star, 389
Coldharbour Lane, London SW9 on May 22nd
the 'open_digi' season (May 22nd, June 19th, July 10th) will mix artists
and activists working online and in digital media, talking about their
work and ending with a digital jam session with visual projections and
sounds mix
OPEN_MOUSE > 7.30pm
the evening will start with an open_mouse half hour at 7.30pm for all
comers to demo their work for five minutes, to ask to appear for this
please visit http://club.net-art.ws
MAIN GUESTS > 8.30pm
the first evening will feature main demos (starting 8.30pm) from STANZA
from http://www.stanza.co.uk, James Stevens of http://www.consume.net
and bongo from http://www.piratetv.net
subvergence project > the central city > STANZA
STANZA will present works from
>>> www.thecentralcity.co.uk
Continuing the search for the "soul of the city". The idea is to go
deeper into analogies for the organic identity of the city. Inner City
is an audio visual, interactive, internet art, experience. The micro
city becomes an organic networks of grids and diagrams.
>>> www.subvergence.net
The internet has become the the leading economic and artistic tool for
our age. Words like emergence are used to explain the propulsion of
these medias into our daily lives. Convergence is used to fuse the
meeting of medias onto the the paradigm of new technology. Subvergence
scrambles the cins of the internet.
CONSUME.NET > James Stevens
James Stevens of http://dek.spc.org, Deckspace, Greenwich (and
previously backspace) will talk about consume.net. Consume is a
nationwide initiative to construct user owned and operated, free
networks utilising wireless broadband technology that trip the local
loop out of the hands of the telecom monopoly and into open space. It's
an assertion of rights to self provide, propagate ideals of community,
counter commerce and consume the net.
PIRATETV.net > bongo
>From J18 to Radiohead ... local heroine, bongo will give a retrospective
view on pirate tv's first four years ...
http://www.piratetv.net was born out of the excitement of early London
pirate radio days, frustration with the dumbing down of legal stations
and the straightjacket of commercial television ... a showcase for the
creation and display of quality zentertainment, free from the financial
and creative restraints of the industry ...
It's about wanting things raw and fresh. Like a salad. Put simply
Piratetv.net is the place to visit for live audio/visual streams.
It's like passing a fiddle around the world ...
IN THE MIX
digital mix session from STANZA and atty (beta testing his 3D multi-user
sound sensitive environment http://rnd.net-art.ws/START.html)
to request appearence at or receive regular news of the 'open_digi'
season please visit http://club.net-art.ws
yours sincerely
Andrew Forbes
there will be a door charge of £1 on May 22nd, the event will be held in
the first floor bar
TO SUBSCRIBE FOR NEWS of future open_digi events register at
http://club.net-art.ws
FUTURE DATES
19th June
'open_digi' goes latino
MAIN GUESTS
Arcangel Constantini > http://www.UNOSUNOSYUNOSCEROS.COM virtually in
control from Mexico City
andres burbano > Colombia
Brian Mackern > http://www.internet.com.uy/vibri/artefactos/index2.htm >
Montevideo, Uruguay
+ london locals
10th July
'open_digi' > net-art01
MAIN GUESTS
the results of the open net-art arena 'net-art01' from
http://www.net-art.ws will be announced by
Mike and Emerald > http://www.urban75.com
Florian and Alexandra > http://www.ni-res.net
the presenters will also demo their own work
the 'open_digi' season is presented by and association with
the Dog Star, 389 Coldharbour Lane, London SW9 >
http://www.dogstarbar.co.uk
Brixton's top pub venue, late bar through out the week. open_digi will
be held in first floor bar
club.net-art > http://club.net-art.ws
the live events arm of http://www.net-art.ws
soundtoys > http://www.soundtoys.net
Convergence > New audio visual experiences, online and offline.
Soundtoys features offline contributions from julian baker , pelado,
stanza, boredom research, andy forbes, squidsoup, jey malaiperman,
andrew allenson, rechord , iriealists, amy alexandra, karsten scmitt ,
ixi, golan levin, leafcutter john, michaelmedia ++++ and online
contributions from ian andrews, antionne schmitt, andy wilson, soda,
backeria, rain ashford, adam rogers , michael van der haagen, brian
judy, jim andrews , peter luining, sub meta ++++
OFFLINE > http://offline.areatres.net
international association of net art practicioners dedicated to the
execution of public offline events and installations using network and
digital media. Members include 3code>JP>http://3code.net-art.ws,
8081>IT>http://www.8081.com,
arcangel>MX>http://www.unosunosyunosceros.com , area3>ES AR
AU>http://www.area3.net/barcelona/, atty>UK>http://rnd.net-art.ws,
dextro>AT>http://www.dextro.org, dream7>US>http://www.dream7.com/,
elout>NL>http://www.xs4all.nl/~elout/ ,
fakeshop>US>http://www.fakeshop.com,
glaznost>ES>http://www.glaznost.com, kalx>US>http://www.kalx.com/,
lokiss>FR>http://www.lokiss.com, one38>US>http://www.one38.org,
real>NL>http://www.ctrlaltdel.org/, redsmoke>US>http://www.redsmoke.com,
RSG>US>http://rhizome.org/carnivore, snarg>US>http://www.snarg.net,
stanza>UK>http://www.stanza.co.uk/, superbad>US>http://www.superbad.com,
vuk>SI>http://www.ljudmila.org/~vuk/, zden>SL>http://zden.satori.sk,
------------------------------
Date: Thu, 16 May 2002 17:50:42 +0200
From: Reinhard Braun <braun@mur.at>
Subject: THIS TIME FOR REAL: ./LOGICALAND
THIS TIME FOR REAL
a MiDIHy project at Forum Stadtpark, A
WED, MAY 22, 2002, 10:15 pm
FORUM STADTPARK GRAZ
>> ./LOGICALAND
re-p/m.ash (A)
http://www.logicaland.net
a participative global simulation - a work in progress, a prototype of a
global simulation that is to be controlled by a community of unlimited
participants.
./logicaland got an Award of Distinction in the category "Net Vision" at
this year's "Prix Ars Electronica" 2002
http://www.aec.at/festival2002/
"./logicaland" is a project study for visualizing our world's complex
economical, political and social systems. It tries to engage people into
strategies of raising human sensibility and responsibility within the
global networked society. the challenge is to develop ideas, tools and
visualizations that fit the requirements of complex correlating systems and
our world's complex participative environment.
based on a scientific global world model of the mid-seventies, for the
project a tool that facilitates people to take part in a simulation was
developed. the main idea is to provide a public web-based world-simulation
within a participative environment, where all users have equal influence on
the system. everyone with internet access should be able to participate in
"./logicaland". one user's influence on the system is minimal since it is a
fraction of all participants' actions. only if a lot of users follow
similar strategies, serious change can be achieved.
"./logicaland" was first shown at "BIG Torino 2002" within the scope ot the
theme "BIG social game" and will now be presented in Austria for the first
time.
In THIS TIME FOR REAL MiDiHy once again sets out to explore how media, art,
politics, and everyday cultures intersect and influence each other. At the
points of interface between these discourses there emerges a wide variety
of cultural milieus and subcultures with their own conventions and rules,
who also take recourse to media and politics in their own specific ways.
Contemporary artistic practices are involved in the emergence of such
milieus and subcultures and thus in the processes of constant re-formation
of cultural interconnections.
Two projects will be presented in May 2002, "./logicaland" and "wissen was
einem blueht", that see public spaces as platforms for economic and
political debate in different ways. Both projects can be seen as a kind of
temporary socio-political "sculpture" that transcends the sphere of art and
interferes in everyday cultures.
next dates:
Thu, May 30, 2002, 10:15 pm
WISSEN WAS EINEM BLUEHT, sabotage (A)
Exclusive Austrian presentation of the project "70,000 cannabis plants for
Kassel"
www.sabotage.at
Thu, June 6, 2002, 10:15 pm
SAASFEE* PRESENTS STARDAX & PINK ELLN
installation & concert
selected sweeties for your senses
www.saasfee.de
- --
MiDiHy productions
Bauernfeldstrasse 26
A-8020 Graz
tel/fax 0043 316 58 46 32
http://midihy.org
- --
------------------------------
Date: Tue, 14 May 2002 15:27:53 +1000
From: n ik <fragments@va.com.au>
Subject: ST:ART Collision | Politics And Art Forum
SpaceStation Collective presents
ST:ART Collision | Politics And Art Forum
Art is no longer confined by galleries and price tags, but the
tension remains. Is political art nothing more than provocative
images? When is art a crime and crime art? Expect vigorous debate at
this forum on the relationship between politics and art. Speakers
include Kylie Wilkinson (member of the border activist group No-one
Is Illegal), Aizura Hankin (writer, editor of Voiceworks,
Trans/Actions coordinator and SpaceStation member), Emile
(Cleansurface), Sitok Srengenge (Indonesia) and Luke (Dole Army).
WHEN: 7.00pm Fri 24 May
PARTICIPANTS
Sitok Srengenge, Aizura Hankin, Emile Zile, Kylie Wilkinson, Luke (Dole Army)
VENUE
Irene / SpaceStation
5 Pitt Street
Brunswick
COST
Free
SPONSORS
Film Victoria
ABOUT THE SPEAKERS
Sitok Sregenge is an acclaimed poet, performer, editor and arts
manager from Indonesia visiting Melbourne with Asialink's Indonesian
Arts Management Residency Program. Poetry in Indonesia is a popular
and potent art form providing new insights into the struggle for
freedom of expression in a politically volatile world. He has
published a number of collections of his work and given readings in
Japan, the Netherlands, Germany, the UK and the USA. Sitok's work
also appears in Secrets Need Words: Indonesian Poetry 1966-1998 (Ohio
University Press) edited and translated by Harry Aveling.
Aizura Hankin is a writer, editor and a member of the collective
which manages Spacestation Media Lab. Aizura currently edits
Voiceworks magazine and manages a media arts residency program called
Trans/actions, which curates six-week residencies in human rights
organisations for media artists in the Asia-Pacific.
Emile Zile is a consumer/creator responsible for short video works,
collaborative audio-visual performance and internet trauma-thons. One
eye on binary opposites, an ear for experimental narrative. Left knee
on cultural sampling, right foot on interventionist tactics in the
expanding social-critique market.
http://www.bubotic.net http://www.cleansurface.org
Kylie Wilkinson is an artist and a member of the border activist
group No-One Is Illegal. Last year she curated an exhibition called
the Office of Utopic Procedures at Westspace, which happened in
conjunction with an action at the Department of Immigration,
Multicultural and Indigenous Affairs called the 'Assembly of the
Invisible', consisting of "hundreds of empty chairs each bearing a
story of an asylum seeker. Following the assembly the chairs will be
distributed throughout the streets and paths of the CBD, a temporary
reminder to the citizens of Melbourne of the existence of those made
invisible."
Luke , 23 , I do trains and I do Dole Army, I've had my board work
featured in adbusters- July/Aug 2001 - "this is not an art project" -
The smell of swoosh. (A publication that I think is fairly piss weak
and masturbatorial) and believe art in the right place and time has
the potential to be like a rock in a cops face.
- --
------------------------------
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